Movies at Gorey
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Terminator 2: Judgment Day 3D

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NT Live: Yerma

David Gilmour Live at Pompeii

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  • Terminator 2: Judgment Day 3D

    Runtime: 137 mins     Rating: 15A

    It has been 10 years since the events of Terminator. Sarah Connor’s ordeal is only just beginning as she struggles to protect her son John, the future leader of the human resistance against the machines, from a new Terminator, sent back in time to eliminate John Connor while he’s still a child. Sarah and John don’t have to face this terrifying threat alone however. The human resistance have managed to send them an ally, a warrior from the future ordered to protect John Connor at any cost. The battle for tomorrow has begun… James Cameron’s epic action/sci-fi masterpiece, starring Arnold Schwarzenegger in his most iconic role, has been converted in immersive 3D by Cameron himself. First hitting our screens in 1991 with ground-breaking special effects, the 3D version will take the seminal blockbuster to the next level of effects and into the 21st century for the next generation of fans.

    Note:Times shown in RED are sold out

    Tue 29th Aug
    20:30
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  • NT Live: Yerma (Live)

    Runtime: 120 mins     Rating: LIVE

    The incredible Billie Piper (Penny Dreadful, Great Britain) returns in her Evening Standard Best Actress award-winning role. A young woman is driven to the unthinkable by her desperate desire to have a child in Simon Stone's radical production of Lorca's achingly powerful masterpiece. The unmissable theatre phenomenon sold out at the Young Vic and critics call it 'an extraordinary theatrical triumph' (The Times) and 'stunning, searing, unmissable' (Mail on Sunday). Billie Piper's lead performance is described as 'spellbinding' (The Evening Standard), 'astonishing' (iNews) and 'devastatingly powerful' (The Daily Telegraph). Set in contemporary London, Piper's portrayal of a woman in her thirties desperate to conceive builds with elemental force to a staggering, shocking, climax. Please note that this broadcast does not have an interval. "Brutal yet ferociously funny", Metro "Billie Piper makes a shattering Yerma in Simon Stone's inspired reworking of Lorca", The Observer "A shatteringly powerful reinvention of a familiar classic", The Independent **Please note that the performance of Yerma includes strobe lighting**

    Note:Times shown in RED are sold out

    Thu 31st Aug
    19:00
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  • David Gilmour Live at Pompeii

    Runtime: 120 mins     Rating: LIVE

    45 years after Pink Floyd’s David Gilmour filmed ‘Live At Pompeii’ in the legendary Roman Amphitheatre there, he returned for two spectacular shows, part of his year-long tour in support of his No.1 album ‘Rattle That Lock’. The performances were the first-ever rock concerts for an audience in the stone Roman amphitheatre, and, for two nights only, the 2,600 strong crowd stood exactly where gladiators would have fought in the first century AD. ‘David Gilmour Live At Pompeii’ is an audio-visual spectacle, featuring lasers, pyrotechnics and a huge circular screen on which specially-created films complement selected songs, but paramount above all is the astonishing music and stellar performances from an all-star band. The show includes songs from throughout David's career, as well as many Pink Floyd classics, including 'One Of These Days', the only song that was also performed at the band’s 1971 show. Both concerts also saw very special performances of 'The Great Gig In The Sky' from 'The Dark Side Of The Moon', which David rarely plays as a solo artist. This concert performance film includes highlights from both shows, filmed in 4k by director Gavin Elder . ‘David Gilmour Live At Pompeii’ shows an artist at the top of his artistic game, performing incredible material with his world-class band, in a unique setting, on one very special occasion. Songs include the title tracks of his two most recent No. 1 solo albums: Rattle That Lock and On An Island, as well as other solo and Pink Floyd classics, including Wish You Were Here and Comfortably Numb.

    Note:Times shown in RED are sold out

    Wed 13th Sep
    20:30
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  • Carmen on the Lake

    Runtime: 140 mins     Rating: LIVE

    Performed on the spectacular water stage of Lake Constance in Bregenz (Austria), George Bizet’s Carmen is a story of passion, destiny and obsession. The French composer’s opera is most famous for its Spanish melodies, including the Flower Song, Habanera and the Toreador Song. On 14 September, experience Carmen like never before – recorded live on the floating stage during the Bregenz Festival. As with their previous spectacular productions, you can expect the staging of this classic tale to have an extravagantly original and innovative design, with the waters of the lake being used as an extension of the stage. This production of Carmen will be directed by Kasper Holten, Director of Opera at the Royal Opera House in London, with the set designed by the British artist Es Devlin. Her past work includes sets for such stars as Adele, Take That, U2, Pet Shop Boys and Kanye West.

    Note:Times shown in RED are sold out

    Thu 14th Sep
    20:30
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  • Royal Opera: Die Zauberflote / The Magic Flute (Live)

    Runtime: 190 mins     Rating: LIVE

    The Royal Opera’s production of The Magic Flute opens the Live Cinema Season 2017/18 on Wednesday 20 September at 7.15pm. Mozart’s popular work with its famous Queen of the Night aria delivers a magical adventure through mysticism, enchantment, love and trickery – with some wonderfully humorous moments – through an extraordinary blend of comedy, philosophical seriousness and sheer magic. The Magic Flute follows the handsome, young prince Tamino as he sets out to rescue the beautiful Pamina at the request of The Queen of the Night. With only his magic flute and cheerful companion Papageno to help him, Tamino sets out, and soon finds himself on a quest searching for love, enlightenment and wisdom. Set designer, John Macfarlane brings Mozart’s magical opera to life in his designs, from the panoramic night sky to the dancing animals summoned by Tamino’s flute and the incredible flying machine of the Three Boys. This timeless classic provides a perfect opportunity to enjoy a cherished opera, for newcomers and Royal Opera regulars alike. An encore screening will take place on Sunday 24 September at 2pm. The next production in the 2017/18 ROH Live Cinema Season is Puccini’s beloved opera La bohème on Tuesday 3 October at 7.15pm.

    Note:Times shown in RED are sold out

    Wed 20th Sep
    19:15
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  • King Lear: Live from Shakespeare's Globe

    Runtime: 180 mins     Rating: LIVE

    King Lear: Live from Shakespeare's Globe
    King Lear (Kevin McNally) decides to divide his kingdom amongst his three daughters, but fails to anticipate the consequences of his actions. His generosity is cruelly repaid. As he comes to realise the false values by which he has lived, he finally encounters his own humanity. Broadcast live to cinemas from the iconic Shakespeare’s Globe, this brand new retelling of one of the Bard’s greatest plays will capture your heart on September 21.

    Note:Times shown in RED are sold out

    Thu 21st Sep
    19:30
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  • The Canaletto and the Art of Venice

    Runtime: 120 mins     Rating: LIVE

    From one of the world’s largest art collections comes the remarkable story of Canaletto and the city he shared with millions through his art. With exclusive access to the highly anticipated exhibition at the Queen’s Gallery, the film opens the doors of London’s Buckingham Palace and Windsor Castle and takes cinema audiences through the squares and canals of Venice that Canaletto immortalised through his art. Including expert commentary and insights from curators of the Royal Collection, the film also reveals the intriguing story of how his works came to hold pride of place in the Queen’s own Picture Gallery.

    Note:Times shown in RED are sold out

    Tue 26th Sep
    19:00
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    Sat 30th Sep
    15:00
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  • Hans Zimmer Recorded live in Prague

    Runtime: 150 mins     Rating: LIVE

    Hans Zimmer: Live in Prague. Zimmer’s critically acclaimed European Tour arrived at the sold out O2 Arena in the Czech capital, bringing with him a support cast of 72 musicians, which included a full choir, symphony orchestra and his own 21-piece hand-picked backing band that featured Johnny Marr (The Smiths) and many of Academy Award-winner Hans’ closest friends and collaborators. That night, the sell-out, 17,000 strong crowd witnessed an incredible live show of music from Hans’ unparalleled career, enhanced by a cutting-edge, immersive light show and award winning live audio production. From Pirates of the Caribbean to The Lion King to The Dark Knight, Hans’ career has seen him lend his hand to some of cinemas greatest successes, working alongside acclaimed directors including Ridley Scott, Michael Bay and Christopher Nolan, most recently working with the latter on this summer’s epic ‘Dunkirk’. This concert film gives fans of the films and his work the perfect seat to see the musical maestro at work, set to a ground-breaking light show, stunning visuals and state-of-the-art audio. Dunkirk Movie was music video as Hans Zimmer’s whining, clock-ticking score kicked into high gear

    Note:Times shown in RED are sold out

    Mon 2nd Oct
    20:30
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  • Royal Opera: La Boheme (Live)

    Runtime: 155 mins     Rating: LIVE

    On Tuesday3 October 2017, at 7.15pm, The Royal Opera’s new production of La bohèmedirected by Richard Jones will be screened live to cinemas around the world. One of the most popular operas in the repertory, Puccini’s romantic portrayal of bohemian Paris has captivated generations of opera lovers and newcomers with wonderful music and a love story drawn from everyday life.It is love at first sight when Rodolfo and Mimì meet, and what ensues is apassionate, timeless, and moving story. Centring on a group of young artists, La bohème follows their struggles to find money for items such as food and rent, heartened by their friendships and romantic ideals. They live contentedly in their small apartment, but their idyllic lifestyle is threatened when Rodolfo learns that Mimì is gravely ill. Royal Opera Music Director Antonio Pappano conducts a superb young cast including Australian soprano Nicole Car as Mimì and American tenor Michael Fabiano as Rodolfo in this new production that returns to the essence of Puccini’s original opera. It captures the liveliness of a bustling 19th century Paris as well as providing some beautifully poignant moments throughout.

    Note:Times shown in RED are sold out

    Tue 3rd Oct
    19:15
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  • Loving Vincent – Live from the National Gallery + Q and A

    Runtime: 150 mins     Rating: LIVE

    BROADCAST LIVE FROM THE NATIONAL GALLERY PRESENTED BY BFI LONDON FILM FESTIVAL

    The life and controversial death of Vincent van Gogh as told by his paintings and by the characters that inhabit them. Beginning a year after his demise, this portrait of the artist is built via a series of interviews conducted by Armand Roulin (Douglas Booth) – a regular model for the artist’s portraits – who becomes obsessed with van Gogh’s death, caused by a bullet wound to the stomach. Was it an accident? Was it suicide? LOVING VINCENT sets out to explore one of art’s great mysteries. LOVING VINCENT stars Douglas Booth, Jerome Flynn, Chris O’Dowd, Oscar-nominee Saoirse Ronan, Aiden Turner, Helen McCrory, Eleanor Tomlinson and John Sessions. Q+A with directors Dorota Kobiela and Hugh Welchman, cast, National Gallery curator and special guests



    Note:Times shown in RED are sold out

    Mon 9th Oct
    19:00
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  • RSC: Coriolanus (Live)

    Runtime:      Rating: LIVE

    A full-throttle war play that revels in the sweat of the battlefield, Coriolanus transports us back to the emergence of the republic of Rome.

    Caius Martius Coriolanus is a fearless soldier but a reluctant leader. His ambitious mother attempts to carve him a path to political power, but he struggles to change his nature and do what is required to achieve greatness. In this new city state struggling to find its feet, where the gap between rich and poor is widening every day, Coriolanus must decide who he really is and where his allegiances lie.

    Rome Season Director, Angus Jackson, completes the Royal Shakespeare Company’s collection of Shakespeare’s Roman plays with a visceral production which sees Sope Dirisu (One Night in Miami, Donmar Warehouse, 2016) take on the title role.

    Note:Times shown in RED are sold out

    Wed 11th Oct
    19:00
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  • Opera de Paris: Don Carlo (Live)

    Runtime: 290 mins     Rating: LIVE

    Opera in 5 Acts Giuseppe Verdi Sung in French Libretto by Joseph Méry and Camille du Locle after Friedrich Schiller, Don Carlos, Infant von Spanien Approximate Running Time: 4h50 with 2 intermissions If there exists an opera that defies boundaries at every level, be they dramatic or dramaturgical, it is certainly Verdi’s Don Carlos, a work by an Italian composer created in French, and in which the climate of war with Spain and the melancholy of human beings draw our attention to the fate to Flanders. Politics, religion, history and psychoanalysis are all entwined here, increasingly exacerbating the fears and taboos between the protagonists. Krzysztof Warlikowski strips down a tragedy haunted by ghosts, and places the intimate at the heart of an imaginary fresco truer than history itself. Along with Philippe Jordan, he reveals to the public the very first version of this great five-act opera: the version modified by Verdi himself for the work’s first performance in 1867. Echoing this historic version, the Paris Opera will be scheduling the five-act version of Don Carlo in Italian in 2019.

    Note:Times shown in RED are sold out

    Thu 19th Oct
    17:00
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  • Gran Teatre del Liceu: Un Ballo in Maschera (Live)

    Runtime: 125 mins     Rating: LIVE

    Libretto by Antonio Somma Opera in 3 acts Sung in Italian Envy, conspiracy, love, jealousy, revenge and ultimately, forgiveness come together in this Verdi's intensely passionate masterpiece. The political intrigue at the heart of the opera initially aroused the anger of contemporary censors; indeed, Verdi and his librettist were compelled to make alter the setting, moving the action away from the original Sweden to the distant US: Boston. The great Polish tenor Piotr Beczala returns to the Liceu in one of his most acclaimed roles, singing alongside soprano Ekaterina Metlova. Vincent Lemaire's staging and Vincent Boussard’s sets reinforce the dark and mysterious atmosphere surrounding the piece, which features lavish costumes by Christian Lacroix. The cast, directed by the true Verdi specialist Renato Palumbo, also features two Verdi leaders: Dolora Zajick and Marco Caria.

    Note:Times shown in RED are sold out

    Tue 24th Oct
    19:00
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  • Royal Ballet: Alice's Adventures in Wonderland (Live)

    Runtime: 170 mins     Rating: LIVE

    THE ROYAL BALLET’S MAGICAL ALICE’S ADVENTURES IN WONDERLAND ON SCREEN MONDAY 23 OCTOBER AT 7.15PM Tumble down the rabbit hole with The Royal Ballet this autumn with Christopher Wheeldon’s exciting Alice’s Adventures in Wonderland live in cinemas worldwide on Monday 23 October at 7.15pm. The original cast takes to the screen in this madcap adaptation of Lewis Caroll’s story. Exuding a girlish charm, Alice, danced by British Principal Lauren Cuthbertson, is joined by a host of familiar characters including the jittery White Rabbit, the eccentric, tap-dancing Mad Hatter, the enigmatic Caterpillar and the ferocious Queen of Hearts. This much-loved story is reimagined with quirky designs by Bob Crowley as we follow Alice into Wonderland across a lake of tears, playing croquet with flamingos and attending a deranged tea party. Drawing upon a wealth of theatrical effects, including projection and puppetry, Crowley creates a mesmerising world of enchantment from the grinning Cheshire Cat to the sinuous Caterpillar with his 16 legs of ballet dancers en pointe A feast for the senses, Wheeldon’s spectacular ballet brings to life Carroll’s famous story with a menagerie of colours, characters and compelling choreography, whilst Joby Talbot’s lively score provides the perfect accompaniment to the ballet. Alice’s Adventures in Wonderland was the first full ballet created for the Company since 1995 and premiered in 2011 with sold-out performances. The next production in the 2017/18 ROH Live Cinema Season is The Royal Ballet’s festive favourite The Nutcracker on Tuesday 5 December at 7.15pm.

    Note:Times shown in RED are sold out

    Sat 28th Oct
    19:15
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  • NT Live: Follies (LIVE)

    Runtime:      Rating: LIVE

    Stephen Sondheim’s legendary musical is staged for the first time at the National Theatre and broadcast live to cinemas. New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves. Tracie Bennett, Janie Dee and Imelda Staunton play the magnificent Follies in this dazzling new production. Featuring a cast of 37 and an orchestra of 21, it’s directed by Dominic Cooke (The Comedy of Errors).Winner of Academy, Tony, Grammy and Olivier awards, Sondheim’s previous work includes A Little Night Music, Sweeney Todd and Sunday in the Park with George.

    Note:Times shown in RED are sold out

    Fri 17th Nov
    19:00
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  • David Hockney at the Royal Academy of Art

    Runtime: 120 mins     Rating: LIVE

    Widely considered Britain’s most popular artist, David Hockney is a global sensation with exhibitions in London, New York, Paris and beyond, attracting millions of visitors worldwide. Now entering his 9th decade, Hockney shows absolutely no evidence of slowing down or losing his trademark boldness. Featuring intimate and in-depth interviews with Hockney, this revealing film focuses on two blockbuster exhibitions held in 2012 and 2016 at the Royal Academy of Art in London. Director Phil Grabsky secured privileged access to craft this cinematic celebration of a 21st century master of creativity.

    Note:Times shown in RED are sold out

    Tue 21st Nov
    17:00
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    Sat 25th Nov
    15:00
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  • A Woman of No Importance (Oscar Wilde Season)

    Runtime: 150 mins     Rating: LIVE

    Broadcast live from the Vaudeville Theatre, London Olivier award-winner Eve Best (A Moon for the Misbegotten and Hedda Gabler) and BAFTA-nominated actress Anne Reid (Last Tango in Halifax) star in this new classically staged production of Oscar Wilde’s comedy directed by Dominic Dromgoole, former Artistic Director of Shakespeare’s Globe. The first play from the Classic Spring Theatre Company’s Oscar Wilde Season, A Woman of No Importance will be broadcast live to cinemas from the Vaudeville Theatre in London’s West End. An earnest young American woman, a louche English lord, and an innocent young chap join a house party of fin de siècle fools and grotesques. Nearby a woman lives, cradling a long-buried secret. First performed in 1893, Oscar Wilde’s marriage of glittering wit and Ibsenite drama satirised the socially conservative world of the Victorian upper-class, creating a vivid new theatrical voice which still resonates today.

    Note:Times shown in RED are sold out

    Tue 28th Nov
    19:15
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  • Royal Opera: The Nutcracker (Live)

    Runtime: 135 mins     Rating: LIVE

    Opening night of The Royal Ballet’s The Nutcracker will be screened live into cinemas around the world on Tuesday 5 December at 7.15pm. A firm family favourite with Tchaikovsky’s mesmerizing score, a Christmas tree that magically grows, a battle between toy soldiers and an Army of Mice, and the famous role of the Sugar Plum Fairy danced by Royal Ballet Principal Sarah Lamb with her Prince, Principal dancer Steven McRae, this event presented by Darcey Bussell is not to be missed. Peter Wright’s enchanting production tells the story of Clara, danced by Royal Ballet Principal Francesca Hayward,whose Christmas is transformed by a visit from Drosselmeyer, a mysterious magician and maker of magical toys. Drosselmeyer longs to break a curse that has turned his nephew, danced by Australian Principal Alexander Campbell, into a nutcracker doll. Matched with exquisite designs and world-famous melodies, this production of The Nutcracker has enthralled audiences for over 30 years since its opening in 1984. It showcases the full energy of the Company, alongside the emerging talent of young dancers from The Royal Ballet School. The stunning costumes, numbering around 600 and dating back to the world-premiere, are revitalized for the show.

    Note:Times shown in RED are sold out

    Tue 5th Dec
    19:15
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  • National Theatre Live: Young Marx (Live)

    Runtime: 220 mins     Rating: LIVE 12A

    Rory Kinnear (The Threepenny Opera, Penny Dreadful, Othello) is Marx and Oliver Chris (Twelfth Night, Green Wing) is Engels, in this new comedy written by Richard Bean and Clive Coleman. Broadcast live from The Bridge Theatre, London, the production is directed by Nicholas Hytner and reunites the creative team behind Broadway and West End hit comedy One Man, Two Guvnors. 1850, and Europe’s most feared terrorist is hiding in Dean Street, Soho. Broke, restless and horny, the thirty-two-year-old revolutionary is a frothing combination of intellectual brilliance, invective, satiric wit, and child-like emotional illiteracy. Creditors, spies, rival revolutionary factions and prospective seducers of his beautiful wife all circle like vultures. His writing blocked, his marriage dying, his friend Engels in despair at his wasted genius, his only hope is a job on the railway. But there’s still no one in the capital who can show you a better night on the piss than Karl Heinrich Marx.

    Note:Times shown in RED are sold out

    Thu 7th Dec
    19:00
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  • Opera de Paris: La Bohème (Live)

    Runtime: 155 mins     Rating: LIVE

    Composed by Giacomo Puccini Libretto by Luigi Illica & Giuseppe Giacosa "Who am I? I'm a poet. What do I do? I write. And how do I live? I live!" – Rodolfo, Act I Is it because Murger had himself lived this way in his youth? No one better described the half-starved, struggling artists than the writer in his Scènes de la Vie de Bohème: artists ready to burn a manuscript to try to keep warm yet,in an era of triumphant bourgeois materialism, dreaming of another existence. Taking up these scenes of Bohemian life, Puccini offers us a heart-breaking love story and some of the most beautiful music in the history of opera in the story of the poet Rodolfo and fragile Mimi. The staging of this new production has been entrusted to Claus Guth who sets the drama in a future devoid of hope in which love and art become the sole means of transcendence.

    Note:Times shown in RED are sold out

    Tue 12th Dec
    18:30
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  • Berliner Philharmoniker NYE Gala Concert

    Runtime: 120 mins     Rating: LIVE

    Celebrate the end of 2017 with the Berliner Philharmoniker’s glittering New Year’s Eve Gala Concert broadcast live from Berlin and conducted by Sir Simon Rattle, with star guest Joyce DiDonato. The internationally acclaimed mezzo-soprano will perform Richard Strauss’s lavishly beautiful orchestral songs with the concert programme also including works by Dvořák, Stravinsky, Bernstein and Shostakovich. The cinema broadcast features exclusive interviews and programme insights.

    Note:Times shown in RED are sold out

    Sun 31st Dec
    16:00
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  • Royal Opera: Rigoletto (Live)

    Runtime: 165 mins     Rating: LIVE

    The corruption of innocence is at the heart of Verdi’s potent tragedy in David McVicar’s production for The Royal Opera. Rigoletto, court jester to the libertine Duke of Mantua, is cursed by the father of one of the Duke’s victims for his irreverent laughter. When the Duke seduces Rigoletto’s daughter Gilda, it seems the curse is taking effect... David McVicar’s production highlights the cruelty at the heart of the court of Mantua. Richly dressed courtiers engage in orgies and revelries to Verdi’s heady, spirited dances. The opera’s many musical highlights include the ebullient ‘La donna è mobile’, in which the Duke boasts of his disregard for women; Gilda’s exquisite, plangent duets with Rigoletto and the Duke; and the gorgeous Act III quartet that beautifully weaves the voices together as the story quickens to its shattering conclusion. Giuseppe Verdi wrote in 1855 that Rigoletto was his ‘best opera’. He had had to overcome state censorship to stage it – the censors objected to its depiction of an immoral ruler – but he was vindicated by the premiere’s huge success in 1851. Rigoletto was performed 250 times in the next 10 years and has remained one of the most popular of all operas.

    Note:Times shown in RED are sold out

    Tue 16th Jan
    19:15
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  • Cezanne: Portraits of a Life

    Runtime: 120 mins     Rating: LIVE

    EOS is thrilled to present one of the most talked about exhibitions of the year. Dedicated to the portrait work of Paul Cézanne, the exhibition opens in Paris before traveling to London and Washington. One can’t appreciate 20th century art without understanding the significance and genius of Paul Cézanne. Featuring interviews with curators and experts from the National Portrait Gallery London, MoMA New York, National Gallery of Art Washington, and Musée d’Orsay Paris, and correspondence from the artist himself, the film takes audiences beyond the exhibition to the places Cézanne lived and worked and sheds light on an artist who is perhaps the least known of all the impressionists – until now. Filmed in Paris, London, Washington and the south of France.

    Note:Times shown in RED are sold out

    Tue 23rd Jan
    19:00
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    Sat 27th Jan
    15:00
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  • Royal Opera: Tosca (Live)

    Runtime: 200 mins     Rating: LIVE

    Tosca is one of the great evenings of opera, and from its strident opening chords conjures up a world of political instability and menace. Jonathan Kent’s production for The Royal Opera captures the dangerous political turbulence of Rome in 1800. The Chief of Police, Scarpia – one of the most malevolent villains in opera – ruthlessly pursues and tortures enemies of the state. His dark, demonic music contrasts with the expansive melodies of the idealistic lovers, Tosca and Cavaradossi, who express their passion in sublime arias, including ‘Vissi d’arte’ and ‘E lucevan le stelle’. Giacomo Puccini’s dramatic work was a hit with audiences on its 1900 premiere and it remains one of the most performed of all operas – with its gripping plot and glorious music, it’s easy to see why. A candle-lit church, Scarpia’s gloomy study with its hidden torture chamber and the false optimism of a Roman dawn: this handsome production throws into relief the ruthlessly taut drama, as the tension is wound up towards a fateful conclusion. Puccini’s meticulously researched score is infused with the same authentic detail, from distant cannon fire during the Act I Te Deum to tolling church bells and the sounds of a firing squad.

    Note:Times shown in RED are sold out

    Wed 7th Feb
    19:15
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  • Gran Teatre del Liceu: Roméo et Juliette (Live)

    Runtime: 180 mins     Rating: LIVE

    Libretto by Jules Barbier and Michel Carré, based on The Tragedy of Romeo and Juliet by William Shakespeare Opera in a prologue and five acts Sung in French Charles Gounod's adaptation of Shakespeare’s timeless tragedy returns to the stage of the Gran Teatre del Liceu after an absence of over three decades. Co-produced with the Santa Fe Opera, this production is conducted by Josep Pons and directed by Stephen Lawless. The action is moved to the context of the American Civil War (1861-1865), providing clear context for the insurmountable divisions between the Capulets and the Montagues. The lovers live in a classic mortuary, foreshadowing their fatal destiny from the very start of their infatuation. Hailed by Plácido Domingo as "one of the most exciting opera divas of today and tomorrow", Aida Garifullina stars as Juliet alongside Saimir Pirgu, who has been described by Opera Today as "one of the world's most important interpreters of lyric tenor roles".

    Note:Times shown in RED are sold out

    Tue 27th Feb
    19:00
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  • Royal Ballet: The Winter's Tale (Live)

    Runtime: 180 mins     Rating: LIVE

    Christopher Wheeldon, Artistic Associate of The Royal Ballet, created his adaptation of Shakespeare’s late great romance The Winter’s Tale for The Royal Ballet in 2014. Building on the success of Alice’s Adventures in Wonderland, The Winter’s Tale received ecstatic praise at its premiere, acclaimed by critics and audiences alike for its intelligent, distinctive and emotionally powerful story, told through exquisite dance. It is now widely judged to be a modern ballet classic.The story follows the destruction of a marriage through consuming jealousy, the abandonment of a child and a seemingly hopeless love. Yet, through remorse and regret – and after a seemingly miraculous return to life – the ending is one of forgiveness and reconciliation. With powerful designs by Bob Crowley and atmospheric music by Joby Talbot, The Winter’s Tale is a masterful modern narrative ballet.

    Note:Times shown in RED are sold out

    Wed 28th Feb
    19:15
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  • Royal Opera: Carmen (Live)

    Runtime: 200 mins     Rating: LIVE

    Carmen is the best-known work by French composer Georges Bizet, and one of the most famous operas in the entire art form – numbers such as the Habanera and the Toreador Song have permeated the popular consciousness as little else has. The opera’s heady combination of passion, sensuality and violence initially proved too much for the stage, and it was a critical failure on its 1875 premiere. Bizet died shortly after, and never learned of the spectacular success his Carmen would achieve: the opera has been performed more than five hundred times at Covent Garden alone.This ever-popular opera is given a fresh point of view in Barrie Kosky’s highly physical production, originally created for Frankfurt Opera. The Australian director is one of the world’s most sought-after opera directors, whose Royal Opera debut with Shostakovich’s The Nose in 2016 was greeted with delight. For Carmen he has devised a far-from-traditional version, incorporating music written by Bizet for the score but not usually heard, and giving a new voice to the opera’s endlessly fascinating central character.

    Note:Times shown in RED are sold out

    Tue 6th Mar
    18:45
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  • Rembrandt

    Runtime: 120 mins     Rating: LIVE



    Note:Times shown in RED are sold out

    Tue 20th Mar
    19:00
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  • Lady Windermere's Fan (Oscar Wilde Season)

    Runtime: 150 mins     Rating: LIVE

    A new production of Oscar Wilde’s social comedy, Lady Windermere’s Fan, directed by award-winning writer, actor and director Kathy Burke, will be broadcast live to cinemas from the Vaudeville Theatre in London’s West End. This is the second play from the Oscar Wilde Season, a year-long celebration of the brilliant Victorian playwright being staged by Classic Spring, a new theatre company led by Dominic Dromgoole, former Artistic Director of Shakespeare’s Globe. The day of Lady Windermere’s birthday party, and all is perfectly in order. Until her friend Lord Darlington plants a seed of suspicion. Is her husband having an affair? And will the other woman really attend the party? First performed in 1892, Lady Windermere’s Fan explores the ambiguity of upper class morality and the fragile position of women in society in the late Victorian era in one of Wilde’s most popular and witty plays. 

    Note:Times shown in RED are sold out

    Tue 20th Mar
    19:15
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  • National Theater Live: Julius Caesar (Live)

    Runtime: 180 mins     Rating: LIVE 12A

    Ben Whishaw (The Danish Girl, Skyfall, Hamlet) and Michelle Fairley (Fortitude, Game of Thrones) play Brutus and Cassius, David Calder (The Lost City of Z, The Hatton Garden Job) plays Caesar and David Morrissey (The Missing, Hangmen, The Walking Dead) is Mark Antony. Broadcast live from The Bridge Theatre, London. Caesar returns in triumph to Rome and the people pour out of their homes to celebrate. Alarmed by the autocrat’s popularity, the educated élite conspire to bring him down. After his assassination, civil war erupts on the streets of the capital. Nicholas Hytner’s production will thrust the audience into the street party that greets Caesar’s return, the congress that witnesses his murder, the rally that assembles for his funeral and the chaos that explodes in its wake.

    Note:Times shown in RED are sold out

    Thu 22nd Mar
    19:00
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  • Rembrandt

    Runtime: 120 mins     Rating: LIVE



    Note:Times shown in RED are sold out

    Sat 24th Mar
    15:00
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  • Royal Ballet: New Wayne McGregor/The Age of Anxiety/New Christopher Wheeldon (Live)

    Runtime: 180 mins     Rating: LIVE

    Leonard Bernstein was one of the first classical composers in America to achieve both popular and critical acclaim. He was eclectic in his sources – drawing on jazz and modernism, the traditions of Jewish music and the Broadway musical – and many of Bernstein’s scores are remarkably well suited to dance. He was particularly associated with Jerome Robbins, their credits together including Fancy Free andWest Side Story. To celebrate the centenary year of the composer’s birth, The Royal Ballet has united all three of its associate choreographers to celebrate the dynamic range and danceability of Bernstein’s music.The programme includes two world premieres by Resident Choreographer Wayne McGregor and Artistic Associate Christopher Wheeldon, marking each artist’s first foray into Bernstein. At the heart of the programme is the first revival of Artist in Residence Liam Scarlett’s The Age of Anxiety, created in 2014 to Bernstein’s soul-searching Second Symphony. Both symphony and ballet are inspired by W.H. Auden’s masterful modernist poem, itself written in response to the atmosphere of disillusionment and uncertainty that followed the end of World War II.

    Note:Times shown in RED are sold out

    Tue 27th Mar
    19:15
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  • Lady Windermere's Fan (Oscar Wilde Season)

    Runtime: 150 mins     Rating: LIVE

    A new production of Oscar Wilde’s social comedy, Lady Windermere’s Fan, directed by award-winning writer, actor and director Kathy Burke, will be broadcast live to cinemas from the Vaudeville Theatre in London’s West End. This is the second play from the Oscar Wilde Season, a year-long celebration of the brilliant Victorian playwright being staged by Classic Spring, a new theatre company led by Dominic Dromgoole, former Artistic Director of Shakespeare’s Globe. The day of Lady Windermere’s birthday party, and all is perfectly in order. Until her friend Lord Darlington plants a seed of suspicion. Is her husband having an affair? And will the other woman really attend the party? First performed in 1892, Lady Windermere’s Fan explores the ambiguity of upper class morality and the fragile position of women in society in the late Victorian era in one of Wilde’s most popular and witty plays. 

    Note:Times shown in RED are sold out

    Wed 28th Mar
    19:15
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  • Royal Opera: Macbeth (Live)

    Runtime: 200 mins     Rating: LIVE

    Verdi’s life-long love affair with Shakespeare’s works began with Macbeth, a play he considered to be ‘one of the greatest creations of man’. With his librettist, Francesco Maria Piave, Verdi set out to create ‘something out of the ordinary’. Their success is borne out in every bar of a score that sees Verdi at his most theatrical: it bristles with demonic energy.The warrior Macbeth fights on the side of the King of Scotland – but when a coven of witches prophesy that he shall become king himself, a ruthless ambition drives Macbeth and his wife to horrific acts. Murder makes Macbeth king, and intrigue and butchery are the hallmarks of his brief, doomed reign. The witches make another prediction, which also comes true: Macbeth and his lady lose their lives, and justice is restored. Phyllida Lloyd’s 2002 production for The Royal Opera is richly hued, shot through with black, red and gold. The witches – imagined by designer Anthony Ward as strange, scarlet-turbaned creatures – are ever-present agents of fate. Lloyd depicts the Macbeths’ childlessness as the dark sadness lurking behind their terrible deeds. The Royal Opera’s production uses Verdi’s 1865 Paris revision of the opera, which includes Lady Macbeth’s riveting aria ‘La luce langue.’

    Note:Times shown in RED are sold out

    Wed 4th Apr
    19:15
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  • Berliner Philharmoniker LIVE Conducted by Kirill Petrenko

    Runtime: 140 mins     Rating: LIVE

    The second live broadcast of the Berliner Philharmoniker 2017/18 Season is led by Kirill Petrenko, chief conductor designate of the orchestra, and features the exciting young pianist Yuja Wangperforming Prokofiev’s Piano Concerto No. 3. The concert also includes Anatoly Lyadov’s iridescent tone poem The Enchanted Lake and Franz Schmidt’s Symphony No. 4 in C Major. The cinema broadcast features exclusive interviews and programme insights.

    Note:Times shown in RED are sold out

    Fri 13th Apr
    18:30
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  • Royal Ballet: Manon (Live)

    Runtime: 205 mins     Rating: LIVE

    Manon’s brother Lescaut is offering her to the highest bidder when she meets Des Grieux and falls in love. They elope to Paris, but when Monsieur G.M. offers Manon a life of luxury as his mistress she can’t resist. With the Lescauts’ encouragement Des Grieux cheats at cards in an attempt to win Monsieur G.M.’s fortune. They are caught. Manon is arrested as a prostitute and deported to New Orleans, followed by Des Grieux. On the run, Manon dies from exhaustion. Kenneth MacMillan’s source for Manonwas the 18th-century French novel already adapted for opera by Massenet and Puccini. The premiere was given on 7 March 1974, with the lead roles danced by Antoinette Sibley and Anthony Dowell. The ballet quickly became a staple of The Royal Ballet’s repertory, and a touchstone of adult, dramatic dance.MacMillan found new sympathy with the capricious Manon and her struggle to escape poverty. Designs by his regular collaborator Nicholas Georgiadis reflect this, depicting a world of lavish splendour polluted by miserable destitution. MacMillan’s spectacular ensemble scenes for the whole Company create vivid, complex portraits of the distinct societies of Paris and New Orleans. But it is Manon and Des Grieux’s impassioned pas de deux – recalling the intensity of MacMillan’s earlier Romeo and Juliet – that drive this tragic story, and make Manon one of MacMillan’s most powerful dramas.

    Note:Times shown in RED are sold out

    Thu 3rd May
    19:15
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  • I, Claude Monet

    Runtime: 120 mins     Rating: TBC

    EXHIBITION ON SCREEN is the originator and market leader for bringing blockbuster art events from galleries around the world to cinemas. Intertwined with artist biographies and exclusive behind-the-scenes footage from the galleries, the films are informative, accessible and entertaining. Over the last three seasons they have been enjoyed by more than 1 million people in cinemas around the world. Most importantly, the films are shot for the big screen and offer an immersive, cinematic journey through the world’s most loved art and its creators.
    I, CLAUDE MONET In this striking film from award-winning director Phil Grabsky, we take a new look at arguably the world’s favourite artist – through his own words. Using letters and other private writings I, Claude Monet reveals new insight into the man who not only painted the picture that gave birth to impressionism but who was perhaps the most influential and successful painter of the 19th and early 20th centuries.
    Despite this, and perhaps because of it, Monet’s life is a gripping tale about a man who, behind his sun-dazzled canvases, often suffered from feelings of depression, loneliness, even suicide. An unmissable cinematic immersion into some of the most loved and iconic scenes in Western Art.

    Note:Times shown in RED are sold out

    Tue 22nd May
    19:00
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  • Ballet de Paris: Pite / Pérex / Shecter (Live)

    Runtime: 90 mins     Rating: LIVE

    "When I choreograph, it is the very act of creating and observing that connects me most deeply with the natural world, with the brutality and beauty it contains." - Crystal Pite Three contemporary choreographers come together for a program that leads the Opera's dancers to a new form of modernity where bodies vibrate with intensity. Canada's Crystal Pite returns with The Seasons’ Canon, a dazzling creation that thrilled audiences at the Palais Garnier last season. Spain's Iván Pérez occupies the stage of the Opera for the first time with a creation for ten male dancers. To conclude the evening, Israel’s Hofesh Shechter, often lauded for his telluric, trance-evoking dances, offers a new version of his piece The Art of Not Looking Back.

    Note:Times shown in RED are sold out

    Thu 24th May
    18:30
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  • I, Claude Monet

    Runtime: 120 mins     Rating: TBC

    EXHIBITION ON SCREEN is the originator and market leader for bringing blockbuster art events from galleries around the world to cinemas. Intertwined with artist biographies and exclusive behind-the-scenes footage from the galleries, the films are informative, accessible and entertaining. Over the last three seasons they have been enjoyed by more than 1 million people in cinemas around the world. Most importantly, the films are shot for the big screen and offer an immersive, cinematic journey through the world’s most loved art and its creators.
    I, CLAUDE MONET In this striking film from award-winning director Phil Grabsky, we take a new look at arguably the world’s favourite artist – through his own words. Using letters and other private writings I, Claude Monet reveals new insight into the man who not only painted the picture that gave birth to impressionism but who was perhaps the most influential and successful painter of the 19th and early 20th centuries.
    Despite this, and perhaps because of it, Monet’s life is a gripping tale about a man who, behind his sun-dazzled canvases, often suffered from feelings of depression, loneliness, even suicide. An unmissable cinematic immersion into some of the most loved and iconic scenes in Western Art.

    Note:Times shown in RED are sold out

    Sat 26th May
    15:00
    Book Now
  • Opéra de Paris: Boris Godounov (Live)

    Runtime: 130 mins     Rating: LIVE

    Sung in Russian Libretto by Modeste Moussorgski "Living power is unbearable for the people. They can love only the dead." - Boris, Boris Godounov, Alexandre Pushkin In 1824, when Pushkin turned to Boris Godounov for his first historical drama, he knew well the colossus he was tackling. Armed with his reading of Shakespeare, Pushkin retold the epic history of the dazzling reign of the Tzar of Russia (1598-1605). Indeed, elements of Macbeth appear throughout this political fable, in which an imposter with ambitions for the throne haunts Boris, pretending to return as the child that Boris had once killed in order to seize power. Adapting this epic poem, Mussorgsky composed a meditation on the solitude of power, a populist drama in which the real protagonist is the Russian people with its burden of eternal suffering. Ivo Van Hove is no stranger to grand political frescos, having previously staged Tragédies Romaines and Kings of War, both based on plays by Shakespeare. This is his first production for the Paris Opera. The production stars Ildar Abdrazakov, "one of the most sought-after young basses in the operatic world" (Vanity Fair) and "one of the most exciting Russian singers to emerge on the international scene in the past decade" (Opera News).

    Note:Times shown in RED are sold out

    Thu 7th Jun
    19:00
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  • Royal Ballet: Swan Lake (Live)

    Runtime: 180 mins     Rating: LIVE

    Swan Lake has had a special role in the repertory of The Royal Ballet since 1934. This Season The Royal Ballet creates a new production with additional choreography by Artist in Residence Liam Scarlett. While remaining faithful to the Petipa-Ivanov text, Scarlett will bring fresh eyes to the staging of this classic ballet, in collaboration with his long-term designer John Macfarlane.Prince Siegfried chances upon a flock of swans while out hunting. When one of the swans turns into a beautiful woman, Odette, he is enraptured. But she is under a spell that holds her captive, allowing her to regain her human form only at night. Swan Lake was Tchaikovsky’s first ballet score. Given its status today as arguably the best loved and most admired of all classical ballets, it is perhaps surprising that at its premiere in 1877 Swan Lake was poorly received. It is thanks to the 1895 production by Marius Petipa and Lev Ivanov that Swan Lake has become part of not only ballet consciousness but also wider popular culture. That success is secured not only by the sublime, symphonic sweep of Tchaikovsky’s score, but also by the striking choreographic contrasts between Petipa’s royal palace scenes and the lyric lakeside scenes created by Ivanov

    Note:Times shown in RED are sold out

    Tue 12th Jun
    19:15
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  • Opéra de Paris: Don Pasquale (Live)

    Runtime: 155 mins     Rating: LIVE

    "I may well be mature of age, but I'm still well preserved, and as far as strength and sprightliness go, I've enough, and some to spare." - Don Pasquale, Don Pasquale, Act I, Scene III "Foolish indeed is he who marries in old age." Thus ends Don Pasquale: with a wise dictum not lacking in irony that sums up the disappointments of its hero, a rich bachelor keen to marry, who is deceived by his nephew Ernesto and his young bride-to-be Norina. First performed in Paris in 1843, at the turning point of several eras, Don Pasquale, a composite and varied work, is the apotheosis of opera buffa. Performed for the first time at the Paris Opera, the production has been entrusted to Italian director, Damiano Michieletto, who transports us directly to the sincerity and dramatic splendor at the heart of a seemingly light-hearted work. Bass Michele Pertusi sings the title role, joined by tenor Lawrence Brownlee, whose "instrument of great beauty and expression" is "perfectly suited" to the great operas of Donizetti (NPR Music). Nadine Sierra, winner of the 2017 Richard Tucker Award, sings as the flirtatious and mischievous Norina.

    Note:Times shown in RED are sold out

    Tue 19th Jun
    18:30
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  • Berliner Philharmoniker: Sir Simon Rattle's Farewell Concert

    Runtime: 120 mins     Rating: LIVE

    On 14 November 1987, a promising conductor called Simon Rattle made his Berliner Philharmoniker debut with Gustav Mahler’s Sixth Symphony. Looking back Rattle says, I felt that I was finding my voice on that day. Mahler’s multifaceted work is again on the programme when Sir Simon appears for the last time as chief conductor of the Berliner Philharmoniker. Sir Simon Rattle’s Farewell Concert will be broadcast live to cinemas on 20 June 2018, with exclusive interviews and programme insights featured as part of this historic event.

    Note:Times shown in RED are sold out

    Wed 20th Jun
    18:30
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